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Oil painting medium

In paint­ing jar­gon, a medium is some­thing you add to paint to change it’s han­dling prop­er­ties, dry­ing time, gloss, trans­parency, or other char­ac­ter­is­tics. Here’s the recipe for my cur­rent favorite gen­eral pur­pose oil paint­ing medium.

Com­bine equal parts Canada bal­sam, black oil, and oil of spike. Warm just enough to allow the incred­i­bly thick and sticky Canada bal­sam to go into sus­pen­sion with the other ingre­di­ents. Shake before using. Mix a very small amount into your paint to make it brush out more eas­ily, adhere bet­ter to the pre­vi­ous layer, and dry more quickly. Keep cov­ered to limit evap­o­ra­tion (you can add a touch more spike if it gets too thick).

Canada bal­sam is a sap from fir trees. Bal­sams improve adhe­sion from one paint layer to another and impart a cer­tain silky smooth qual­ity to paint. Canada bal­sam is clearer and faster-drying than other bal­sams, such as Venice tur­pen­tine. It also costs a lot more.

Black oil is lin­seed oil cooked with litharge (lead monox­ide). Black oil is faster dry­ing and more slip­pery than lin­seed oil. Like many art mate­ri­als, it’s poi­so­nous, so you need to be care­ful not to ingest it.

Oil of spike is an organic sol­vent like spir­its of tur­pen­tine, except that it is more slip­pery and evap­o­rates more slowly. It has a very strong and won­der­ful smell (and is much more com­monly used in aro­mather­apy than paint­ing), although my wife doesn’t like it. It has a long his­tory in oil paint­ing; Leonardo prob­a­bly used it for the ini­tial dark washy under­paint­ing in his “sfu­mato” technique.

N.B., you can get all of these spe­cialty artist’s ingre­di­ents from Stu­dio Products.

Posted in art materials, oil painting, painting.

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2 Responses

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  1. Bryan says

    Great site. I’m in the midst of explor­ing a dif­fer­ent medium than I’ve used in the past. My two biggest con­cerns are a lit­tle bit of slip to it and that it drys overnight since I’m do some free­lance illus­tra­tion and need to work quickly. I’m inter­ested in your sug­ges­tion of the medium above and won­dered how long it takes to dry. Also, what are you refer­ring to when you talk about “warm­ing” the Canada balsam?

    In the past I’ve used a Cold pressed lin­seed, ter­panoid, cobalt dryer mix as well as var­i­ous alkyds such as Liquin, and most recently Galkyd but I’m find­ing the sticky nature of it and drag on the brush to be troublesome.

    • David Rourke says

      Bryan,

      In small amounts, this medium doesn’t seem to speed or slow dry­ing much (the black oil has lead, which acts as a drier, but the CB dries a lit­tle slow, so it seems to be basi­cally a wash as far as I can tell). You can warm a jar of Canada bal­sam in a warm water bath.

      I am not a big fan of alkyd medi­ums myself.



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