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Blogversary!

All the Strange Hours is one year old today. At times I’ve had a flood of ideas and stuff to write about. More recently, the posts have been com­ing less often (although I’m cur­rently writ­ing more often). It’s been extremely enjoy­able for me and a good way to clar­ify my thoughts about art.

I’d like to thank every­one who came here and stayed. I am espe­cially grate­ful to all of the thought­ful com­menters here.

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8 Responses

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  1. pamela liberto says

    are lan­gridge pow­der pig­ments the same as other brand names of pow­der pigment

  2. Incompetent says

    Ah, grasshop­per, you have mas­tered the non sequitur! Now let us work on your gram­mar and punctuation.

  3. David says

    Pamela,

    I haven’t used them. So far as I know they are per­fectly suit­able for mak­ing into artist’s paint.

  4. pamela liberto says

    abo­rig­i­nal art sold at auc­tion that has been over­painted by restor­ers only trou­ble is the auc­tion houses do not tell the bid­ders pre auc­tion bidding

  5. David says

    Pamela,

    Do you think you could try hav­ing one thing you say relate in some way to what you’ve said before or to what oth­ers have said? We don’t actu­ally have the abil­ity to read your mind; we can only see what you’ve read and use that to try to fig­ure out what you are get­ting at.

    How does your ques­tion about pig­ments relate to your com­ment about over­paint­ing abo­rig­i­nal art?

  6. pamela liberto says

    Dear David I only wanted your opin­ion re abo­rig­i­nal art being auc­tioned , with­out the bid­ders know­ing the works have been over­painted if peo­ple knew ofcourse it would lower the price .

  7. David says

    Pamela,

    I’m sorry if it sounds like I’m lec­tur­ing, but when you switch top­ics abruptly, it is help­ful to let peo­ple know what you are doing and why. Inter­net dis­course is not like talk­ing with some­one in your liv­ing room. We can’t hear your tone of voice, observe your body lan­guage, or get infor­ma­tion from other non­ver­bal cues. We can only go by what you write. Because of that, we all need to pro­vide a lot more infor­ma­tion in words than we might be used to giv­ing in con­ver­sa­tion. If not, mis­un­der­stand­ings are inevitable.

    The hid­den mod­i­fi­ca­tion to abo­rig­i­nal art is of course inappropriate.

  8. pamela liberto says

    the poor abo­rig­i­nal per­son does not get much if any thing from the sale of their art , the auc­tion houses reap the ben­e­fit not the artist



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