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	<title>Comments on: George Inness</title>
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	<link>http://rourkevisualart.com/wordpress/2007/07/22/george-inness/</link>
	<description>Making and Thinking About Visual Art</description>
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		<title>By: David</title>
		<link>http://rourkevisualart.com/wordpress/2007/07/22/george-inness/comment-page-1/#comment-12974</link>
		<dc:creator>David</dc:creator>
		<pubDate>Mon, 02 Jan 2012 17:31:31 +0000</pubDate>
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		<description>&lt;p&gt;You&#039;re welcome. I love Innes.&lt;/p&gt;
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		<content:encoded><![CDATA[<p>You’re welcome. I love Innes.</p>]]></content:encoded>
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		<title>By: david</title>
		<link>http://rourkevisualart.com/wordpress/2007/07/22/george-inness/comment-page-1/#comment-12968</link>
		<dc:creator>david</dc:creator>
		<pubDate>Mon, 02 Jan 2012 11:28:05 +0000</pubDate>
		<guid isPermaLink="false">http://rourkevisualart.com/wordpress/2007/07/22/george-inness/#comment-12968</guid>
		<description>&lt;p&gt;Sometimes for a luminous effect for clouds I use a silver and bronze base then build on it with layers of glaze and thin layers of cream tones until there is a just discernable glow to the cream or white that I wish to achieve. I liked seeing the pictures thank you for sharing them.&lt;/p&gt;
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		<content:encoded><![CDATA[<p>Sometimes for a luminous effect for clouds I use a silver and bronze base then build on it with layers of glaze and thin layers of cream tones until there is a just discernable glow to the cream or white that I wish to achieve. I liked seeing the pictures thank you for sharing them.</p>]]></content:encoded>
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		<title>By: David</title>
		<link>http://rourkevisualart.com/wordpress/2007/07/22/george-inness/comment-page-1/#comment-12860</link>
		<dc:creator>David</dc:creator>
		<pubDate>Sat, 03 Dec 2011 17:08:24 +0000</pubDate>
		<guid isPermaLink="false">http://rourkevisualart.com/wordpress/2007/07/22/george-inness/#comment-12860</guid>
		<description>&lt;p&gt;Anwar,&lt;/p&gt;

&lt;p&gt;That sounds right to me.&lt;/p&gt;
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		<content:encoded><![CDATA[<p>Anwar,</p>

<p>That sounds right to me.</p>]]></content:encoded>
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		<title>By: Anwar</title>
		<link>http://rourkevisualart.com/wordpress/2007/07/22/george-inness/comment-page-1/#comment-12841</link>
		<dc:creator>Anwar</dc:creator>
		<pubDate>Sun, 27 Nov 2011 16:33:16 +0000</pubDate>
		<guid isPermaLink="false">http://rourkevisualart.com/wordpress/2007/07/22/george-inness/#comment-12841</guid>
		<description>&lt;p&gt;Went to D.C. and Cincinnati to see his show at the Taft.  I get the idea he just more or less rubbed in the general effect and then refined with smaller brushes.  Based on his harmonies I think likely in a monochrome to start.  His medium seems ordinary- not greasy not dry occasionally cracking if used much which indicates to me a resin. Basically I think he just went at it in the normal kinda searching manner and kept at it until it came about fully.  I suppose knowing when to stop must have been an overriding concern for him.  That and keeping it all under control until the end.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>Went to <span class="caps">D.C. </span>and Cincinnati to see his show at the Taft.  I get the idea he just more or less rubbed in the general effect and then refined with smaller brushes.  Based on his harmonies I think likely in a monochrome to start.  His medium seems ordinary– not greasy not dry occasionally cracking if used much which indicates to me a resin. Basically I think he just went at it in the normal kinda searching manner and kept at it until it came about fully.  I suppose knowing when to stop must have been an overriding concern for him.  That and keeping it all under control until the end.</p>]]></content:encoded>
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		<title>By: R. mccurdy</title>
		<link>http://rourkevisualart.com/wordpress/2007/07/22/george-inness/comment-page-1/#comment-10996</link>
		<dc:creator>R. mccurdy</dc:creator>
		<pubDate>Sat, 24 Oct 2009 22:11:16 +0000</pubDate>
		<guid isPermaLink="false">http://rourkevisualart.com/wordpress/2007/07/22/george-inness/#comment-10996</guid>
		<description>&lt;p&gt;I am a master romantic realist studio painter from Pennsylvania and my school of study has always been the Brandywine River School of artists as well as a few Hudson River school masters, namely George Inness and Winslow Homer. Take a look at my works of art and see if I might be of help to any of your question&#039;s. I only want to help. 
Sincerely 
R. mccurdy  Pennsylvania Romantic Realist Painter and Illustrator  &lt;a href=&quot;http://www.mccurdyart.net&quot; target=&quot;_blank&quot;&gt;www.mccurdyart.net&lt;/a&gt;&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>I am a master romantic realist studio painter from Pennsylvania and my school of study has always been the Brandywine River School of artists as well as a few Hudson River school masters, namely George Inness and Winslow Homer. Take a look at my works of art and see if I might be of help to any of your question’s. I only want to help. 
Sincerely <br />
R. mccurdy  Pennsylvania Romantic Realist Painter and Illustrator  <a href="http://www.mccurdyart.net" target="_blank">http://www.mccurdyart.net</a></p>]]></content:encoded>
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		<title>By: R. McCurdy</title>
		<link>http://rourkevisualart.com/wordpress/2007/07/22/george-inness/comment-page-1/#comment-10995</link>
		<dc:creator>R. McCurdy</dc:creator>
		<pubDate>Sat, 24 Oct 2009 22:01:04 +0000</pubDate>
		<guid isPermaLink="false">http://rourkevisualart.com/wordpress/2007/07/22/george-inness/#comment-10995</guid>
		<description>&lt;p&gt;I can be of assistance I believe. His technique is not all that difficult. Not really that much glazing done. And you might want to abandon canvas. Inness almost always painted on plywood. Most of us from that school come to realize that alot of the texturing seen on late 19th century paintings is created by the artist, not the painting surface. Iness did a lot of oil dry brush to build up to the density of color and a final dry glaze for the chroma of color. That is the way I paint. And you should know that many of those paints are not manufactued anymore. In that respest we have been ripped off. We can only emulate these masters colors&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>I can be of assistance I believe. His technique is not all that difficult. Not really that much glazing done. And you might want to abandon canvas. Inness almost always painted on plywood. Most of us from that school come to realize that alot of the texturing seen on late 19th century paintings is created by the artist, not the painting surface. Iness did a lot of oil dry brush to build up to the density of color and a final dry glaze for the chroma of color. That is the way I paint. And you should know that many of those paints are not manufactued anymore. In that respest we have been ripped off. We can only emulate these masters colors</p>]]></content:encoded>
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		<title>By: rena</title>
		<link>http://rourkevisualart.com/wordpress/2007/07/22/george-inness/comment-page-1/#comment-6271</link>
		<dc:creator>rena</dc:creator>
		<pubDate>Mon, 27 Aug 2007 09:57:44 +0000</pubDate>
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		<description>&lt;p&gt;Thanks for getting back with me.  What are bravura brush strokes?  Do you know of any artists that have that style?&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>Thanks for getting back with me.  What are bravura brush strokes?  Do you know of any artists that have that style?</p>]]></content:encoded>
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		<title>By: David</title>
		<link>http://rourkevisualart.com/wordpress/2007/07/22/george-inness/comment-page-1/#comment-6181</link>
		<dc:creator>David</dc:creator>
		<pubDate>Wed, 22 Aug 2007 02:31:05 +0000</pubDate>
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		<description>&lt;p&gt;Rena,&lt;/p&gt;

&lt;p&gt;I&#039;m sorry, but I don&#039;t know much about Inness&#039; methods. From the examples I&#039;ve seen in museums, it mostly looks like direct, bravura brush strokes combined with occasional glazing. It does not look like a technically complex approach to painting. But that&#039;s just a guess.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>Rena,</p>

<p>I’m sorry, but I don’t know much about Inness’ methods. From the examples I’ve seen in museums, it mostly looks like direct, bravura brush strokes combined with occasional glazing. It does not look like a technically complex approach to painting. But that’s just a guess.</p>]]></content:encoded>
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		<title>By: rena</title>
		<link>http://rourkevisualart.com/wordpress/2007/07/22/george-inness/comment-page-1/#comment-6180</link>
		<dc:creator>rena</dc:creator>
		<pubDate>Wed, 22 Aug 2007 02:09:44 +0000</pubDate>
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		<description>&lt;p&gt;I have been trying to learn his glazing and texture techniques.  Please help me find a class or workshop or book about these tonal techniques.  I can not find anthing.&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>I have been trying to learn his glazing and texture techniques.  Please help me find a class or workshop or book about these tonal techniques.  I can not find anthing.</p>]]></content:encoded>
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		<title>By: Triecia</title>
		<link>http://rourkevisualart.com/wordpress/2007/07/22/george-inness/comment-page-1/#comment-5795</link>
		<dc:creator>Triecia</dc:creator>
		<pubDate>Tue, 31 Jul 2007 09:46:44 +0000</pubDate>
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		<description>&lt;p&gt;Stunning work, thank you for directing me to it.&lt;/p&gt;
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		<content:encoded><![CDATA[<p>Stunning work, thank you for directing me to it.</p>]]></content:encoded>
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