Skip to content


Preparing stretched linen

So lately I’ve been stretch­ing and prim­ing a large (5 × 3.5 feet) linen can­vas, along with a cou­ple of smaller ones. A few obser­va­tions (learned in part from hav­ing to cor­rect mistakes):

  • The eas­i­est way to stretch a large can­vas evenly seems to be to put it on the stretcher unprimed, some­what loosely. How loose? Put the can­vas on the floor flat under the stretcher. Tack the edges of the can­vas to the back of the stretcher with­out pulling. You then size it with a thin layer of hide glue. The glue tight­ens the can­vas. If you do it right, the can­vas is taut with no wrin­kles. This is eas­ier than try­ing to get it right using can­vas pli­ers and try­ing to make the ten­sion even across the whole canvas.
  • I like using reg­u­lar office thumb tacks ini­tially, fol­lowed by sta­ples or cop­per tacks when you know you’ve got the ten­sion exactly right.
  • The lead oil primer made by Nat­ural Pig­ments is very easy to apply. It is much less vis­cous than other oil primers I’ve tried. That means you don’t have to thin it and it’s less likely to get all over the place. It dries to the touch very fast. A poten­tial down­side is that it doesn’t tend to fill the weave of the can­vas like thicker primers do.
  • It’s good prac­tice to rub the sur­face of the can­vas lightly with a pumice stone before siz­ing in order to open the fibers up some­what to accept the glue. If you do this, how­ever, you will cre­ate small blobs of fab­ric in places. After prim­ing, you’ll need to wet sand or use a knife to cut these away.
  • Upper Canada Stretch­ers makes really good stretch­ers. Check out the dis­counts for good deals.

Posted in art materials, oil painting.


0 Responses

Stay in touch with the conversation, subscribe to the RSS feed for comments on this post.



Some HTML is OK

or, reply to this post via trackback.