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	<title>All the Strange Hours &#187; Tad Spurgeon</title>
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	<description>Making and Thinking About Visual Art</description>
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		<title>Article on sound practice</title>
		<link>http://rourkevisualart.com/wordpress/2009/05/29/article-on-sound-practice/</link>
		<comments>http://rourkevisualart.com/wordpress/2009/05/29/article-on-sound-practice/#comments</comments>
		<pubDate>Sat, 30 May 2009 01:37:18 +0000</pubDate>
		<dc:creator>David</dc:creator>
				<category><![CDATA[art materials]]></category>
		<category><![CDATA[art technique]]></category>
		<category><![CDATA[oil painting]]></category>
		<category><![CDATA[Tad Spurgeon]]></category>
		<category><![CDATA[traditional painting methods]]></category>

		<guid isPermaLink="false">http://rourkevisualart.com/wordpress/?p=875</guid>
		<description><![CDATA[Tad Spurgeon has an excellent summary article on his views regarding sound oil painting practice. Because the structure of an oil painting is inherently complex, it’s always best to attempt keep both it and its various components as simple as possible. However, this element of simplicity should not necessarily extend to purchasing ready-made materials if [...]]]></description>
			<content:encoded><![CDATA[<p>Tad Spurgeon has an excellent summary article on his views regarding sound oil painting practice.</p>

<blockquote><p>Because the structure of an oil painting is inherently complex, it’s always best to attempt keep both it and its various components as simple as possible. However, this element of simplicity should not necessarily extend to purchasing ready-made materials if the hope or expectation is to create higher quality work: generic materials have a strong tendency to produce generic work. While boutique materials are usually higher quality, this is not necessarily the case with the oil. And they still don’t impart the vital information about the nuts and bolts of the craft: at the end of the day, there is no real process, just a set of purchases, a pseudo-craft.</p></blockquote>

<p>Go <a title="Spurgeon article" href="http://www.tadspurgeon.com/news2008.php?page=news2008">read the whole thing.</a></p>
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		<title>Putty</title>
		<link>http://rourkevisualart.com/wordpress/2008/10/12/putty/</link>
		<comments>http://rourkevisualart.com/wordpress/2008/10/12/putty/#comments</comments>
		<pubDate>Mon, 13 Oct 2008 00:59:32 +0000</pubDate>
		<dc:creator>David</dc:creator>
				<category><![CDATA[art materials]]></category>
		<category><![CDATA[oil painting]]></category>
		<category><![CDATA[painting materials]]></category>
		<category><![CDATA[putty]]></category>
		<category><![CDATA[Tad Spurgeon]]></category>
		<category><![CDATA[traditional painting methods]]></category>

		<guid isPermaLink="false">http://rourkevisualart.com/wordpress/?p=525</guid>
		<description><![CDATA[Do go check out Tad Spurgeon’s excellent site. Since the last time I had been there, he’s really fleshed out a method for making “putty” with various heat bodied oils and different chalks. These putties form a thick, dull grey medium that is mixed with regular paint to adjust it’s transparency and handling characteristics. Although [...]]]></description>
			<content:encoded><![CDATA[<p>Do go check out <a title="Tad Spurgeon" href="http://www.tadspurgeon.com/">Tad Spurgeon’s excellent site.</a> Since the last time I had been there, he’s really fleshed out a method for making “putty” with various heat bodied oils and different chalks. These putties form a thick, dull grey medium that is mixed with regular paint to adjust it’s transparency and handling characteristics. Although the putty is grey all by itself, it has no color when mixed with regular pigmented oil paint.</p>

<p>Painters such as Velazquez and Rembrandt routinely added such materials to their paint. Tad seems well on his way to recreating some of their methods.</p>

<p>Aside from this, Tad has lots of great info on oil painting, including a well-written and useful introduction for beginners. Go there now.</p>
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